Amazing Tour in Évora

The Roman Temple, over 2000 years old, is the ex-libris monument of Évora and is one of the most important historic ruins in the country.

The Roman temple in Évora was built in the first century, during the time of Caesar Augustus. It has a long history, serving as testimony to many transformations and different uses over the centuries. It was practically destroyed when the Barbarians occupied the Iberian peninsular in the fifth century, and served as a bank vault and butcher’s to Evora castle in the 14th century.

Its original Roman design was only recovered in the 19th century, in one of the first archaeological interventions in Portugal. It is a testimony to the Roman forum of the city of Évora, consecrated to the Imperial cult, thus clarifying a 17th-century tradition that claimed that the temple had been consecrated to the goddess Diana. For this reason, it was identified for many years as the Temple of Diana. Recent excavations have shown that it was surrounded by a portico and water mirror

Duration: 30 minutes

The Roman Temple, over 2000 years old, is the ex-libris monument of Évora and is one of the most important historic ruins in the country.

The Roman temple in Évora was built in the first century, during the time of Caesar Augustus. It has a long history, serving as testimony to many transformations and different uses over the centuries. It was practically destroyed when the Barbarians occupied the Iberian peninsular in the fifth century, and served as a bank vault and butcher’s to Evora castle in the 14th century.

Its original Roman design was only recovered in the 19th century, in one of the first archaeological interventions in Portugal. It is a testimony to the Roman forum of the city of Évora, consecrated to the Imperial cult, thus clarifying a 17th-century tradition that claimed that the temple had been consecrated to the goddess Diana. For this reason, it was identified for many years as the Temple of Diana. Recent excavations have shown that it was surrounded by a portico and water mirror

Duration: 30 minutes

Public fountain built in 1571 in white marble with a bronze crown. According to tradition, the eight grotesques correspond to the eight streets which lead to the square. Dates from the sixteenth century. The work of Afonso Alvares.

Duration: 30 minutes

A fortified church with Gothic features, Évora Cathedral is the largest cathedral in Portugal. Initiated in 1186, consecrated in 1204, and immediately used as one of the main temples of the Marian cult, it was only complete in 1250. It is a monument that showcases the transition from the Romanesque to the Gothic style, with Renaissance and Baroque additions introduced later.

The facade is flanked by two towers, both medieval, with the bells being placed in the south tower. The north tower houses a number of valuable treasures belonging to the Museum of the Sacred Art; some unique priceless pieces, such as the image of the Virgin of Paradise, a figurine of the Virgin and Child that opens up from the lap and portrays an altarpiece with various scenes of the Birth and Passion. The remarkable central dome, built at the end of the 13th century during the reign of King Dinis, is the Cathedral’s true showstopper. The main portico is one of the most impressive Portuguese gothic portals, with master sculptures of the Apostles made in the 14th century by Master Pêro, a leading name in national Gothic sculptures. Besides the main portico there are two other entrances: the Porta do Sol, facing south, with Gothic arches; and the North Gate, rebuilt in the Baroque period.

The interior is divided into three naves about 80 metres long. In the central nave you can see the altar of Our Lady of the Angel (locally known as Nossa Senhora do Ó), with polychrome marble images of the Virgin and the Angel Gabriel. The 18th-century altar and the marble chapel in Estremoz are Baroque works by J.F. Ludwig, known as Ludovice, who was the architect of the Palace of Mafra, at the service of King John V (1706-1750). In the chapel, a beautiful crucifix known as the “Father of the Christ” is displayed above the painting of Our Lady of the Assumption.

In the transept, see the ancient Chapels of Saint Lawrence and the Holy Christ, and the Chapels of the Relics and the Blessed Sacrament, decorated with gilded carvings. At the northern tip is the spectacular Renaissance portal of the Chapel of the Morgados do Esporão. And in the upper-choir is a very valuable renaissance chair carved in oak wood, and an organ of great proportions, also of the 18th century.

You can also visit the gothic cloister, dated 1325, and climb to the terrace, from where you can enjoy a beautiful panorama over the entire city of Évora, since the Cathedral is located at its highest point.

Duration: 30 minutes

One of the striking features of the façade is a church porch with arches of different styles – a typical example of the “marriage” between Gothic and Moorish style found in so many monuments of this region in Portugal. Over the Manueline doorway we can see the emblems of the kings that commissioned its construction – D. João II and D. Manuel I – whose emblems were the pelican and armillary sphere respectively.

One particularity of the Church is that it has a single nave, terminating in a ribbed vaulted ceiling, that has the largest span of all Portuguese Gothic architecture. On the sides we can see twelve chapels, all covered in Baroque carved woodwork. The main chapel, dating from the early 16th century, still maintains important Renaissance features such as the pulpits. It’s well worth noting the harmonious decoration of stone, carved woodwork and azulejo tiles in the chapel of the third order, on one of the arms of the transept.

Inside, visitors can see the strange Bones Chapel, built during the Filippine period (17th-century). The pillars and walls are completely covered by bones. It’s also worth noting the late Renaissance doorway where the capitals of the columns seem to be decorated in a different manner according to whether one is looking from the exterior or interior.

Duration: 30 minutes

The cromlech of Almendres is composed by 95 stones set in two circles. Some of the stones are decorated with schematic and geometric carvings. A little further away we can see the Menhir which is about 4 metres high. Recent researches proved that the most part of the stones are in their original place and date the cromlech from the neolithic ( 4.000 a.C.) and chalcolithic (2.500 a.C.).

Duration: 2 hours